Tribeca Festival stands by its decision to include a feature-length AI-generated film in its 2026 lineup. “Dreams of Violets” is a 74-minute movie that delves into the Iranian resistance without the use of traditional filming methods such as cameras or actors. Instead, filmmakers Ash and Pooya Koosha leveraged AI tools to craft the film at a modest cost of $2,000.
Described as a docudrama feature inspired by real events from 47 years of Iranian civilian resistance, the film portrays protest footage through the perspectives of five strangers. Amid the turmoil, a child in a wheelchair named Amir witnesses the unfolding events and decides to take action as Iranian forces confront wounded protesters.
The decision to feature “Dreams of Violets” has sparked debate, with many criticizing the film for its AI-driven creation. However, Tribeca co-founder Jane Rosenthal defended the film, emphasizing the festival’s commitment to showcasing innovative storytelling. She hailed the movie as a prime example of utilizing AI not just for innovation but also for compelling human narratives.
This is not the first instance of AI stirring controversy in the film industry. While some renowned directors like Darren Aronofsky and Steven Soderbergh have embraced AI in their projects, others, including James Cameron and Guillermo Del Toro, have expressed reservations about its role in filmmaking.
Director Ash Koosha, the creative force behind “Dreams of Violets,” views AI as a storytelling medium akin to animation. Prompted by events in Iran, Koosha employed various AI tools to efficiently bring his vision to life. His company, Fountain 0, specializes in AI-generated films, with “Dreams of Violets” marking its debut production.
As the film industry grapples with the implications of AI technology, concerns have been raised about its impact on job displacement and artistic integrity. Kate Ziegler of ACTRA Toronto stressed the need for a broader dialogue on AI’s influence across industries, citing potential repercussions on creativity and employment.
Richard Lachman, a digital media professor, highlighted the dual challenges and opportunities posed by AI in film festivals. While AI offers a cost-effective means for aspiring filmmakers to share their stories, there are concerns about the authenticity and interpretation of AI-generated content, raising questions about the blurring lines between reality and fiction.
In a rapidly evolving landscape where AI continues to shape the creative process, the integration of technology in filmmaking presents both promise and peril, underscoring the need for ongoing discourse on its impact and ethical considerations.
