In recognition of National Indigenous History Month and National Indigenous Peoples Day, the narrative of resilience is showcased through music in the story of Brianna Lizotte. Lizotte, a Métis individual from Sylvan Lake, Alberta, recalls her childhood memories of vibrant kitchen parties filled with fiddle tunes and dancing captured in old family videos. Despite a temporary lapse in musical traditions within her family, Lizotte’s passion for fiddling was reignited by a vivid dream.
Embracing her Métis heritage, Lizotte delved into the world of fiddling, a practice deeply rooted in Métis, First Nations, and Inuit cultures since the introduction of the instrument by Europeans to North America. Fiddling, often accompanied by jigging, holds a distinctive rhythm unique to Métis music, distinguishing it from other genres like bluegrass or Celtic music.
Lizotte’s musical journey took off at a young age, securing gigs with the Métis Nation of Alberta and earning accolades such as the rising star award from the Alberta Men and Women of Country Music. Her innate talent, coupled with what she describes as ancestral influences, propelled her success in the industry. Lizotte, alongside her husband, now imparts Métis music, dance, and history through workshops and was recently nominated for a Juno award for her album “Winston and I.”
Meanwhile, the legacy of Métis fiddling is exemplified by John Arcand, renowned as the “master of the Métis fiddle.” Arcand, hailing from Saskatchewan, has dedicated his life to preserving and teaching the art of fiddling. With a lineage of nine generations of fiddlers, Arcand’s contributions have been instrumental in reviving the tradition in Saskatchewan, countering a decline in interest due to shifts in musical preferences towards rock and roll.
Arcand’s commitment to music has garnered prestigious awards, including the Order of Canada and recognition for his outstanding contributions to fiddling. At 83 years old, he continues to play the fiddle daily, emphasizing the inseparable link between fiddling and dancing. According to Arcand, mastering the fiddle involves a symbiotic relationship with dance, each complementing the other in traditional Métis performances.
In Manitoba, the tradition of Métis jigging thrives, symbolized by groups like United Thunder, a square dance and jigging ensemble. Their dedication to the art form has led to numerous accolades, showcasing the profound joy and cultural significance of jigging. Members like Brandon Courchene, a former member of Sagkeeng’s Finest, find solace and purity in the rhythmic movements of jigging, embodying the essence of Métis culture.
As Métis jigging continues to evolve, individuals like Ashley Harris from United Thunder embody the spirit of the dance, passed down through generations within her family. The resonance of the Red River Jig, a cherished Métis dance, echoes through performances, uniting communities and honoring Métis and First Nations heritage.
Through music and dance, Métis and Indigenous communities celebrate their cultural resilience and heritage, fostering unity and connection. The enduring traditions of fiddling and jigging serve as a testament to the rich tapestry of Indigenous cultures in Canada.
